I prefer the term hand-drawn animation because that define its most important aspect - the fact that it is drawn by hand. The first type of 2D animation might be called traditional animation or cel animation. Compositing is how all those pieces get put together into a single scene. You might have a background, multiple characters, and some scenery all being developed separately. It lets you see semi-transparent representations of the frames behind or ahead of the current frame you're working on.Ĭompositing is the process of putting all the individual pieces of a scene together to create the final visual output. In paper animation this is done by having multiple drawings on a light table, but in modern animation programs there's often a feature called onion skinning. When animating, it's very useful to be able to see more than one frame at a time. In digital animation, easing is how spacing is controlled, usually through a motion graph on the timeline. Decreasing the spacing, makes an object slower, while increasing the spacing makes it look faster. Spacing is the amount of change that comes between each frame. Timing means the total number of frames that will be used for a movement. Timing, spacing and easing are closely related terms. Images taken from The Animator's Survival Kit / Richard Williams Timing | Spacing | Easing In-betweens are all the frames that the computer interprets or automatically generates to move the character from key to key. In 3D, a keyframe is any position on the timeline where the animator has defined the position of the character. In-betweens are all the frames that come in between to smooth out the motion. Breakdowns come between keys and define what the motion from key to key will be. In hand drawn animation, keyframes (or just keys) are the major important poses that define the scene. Key frames, breakdowns and in-betweens are important terms, but they mean slightly different things d epending on the type of animation.
When we talk about a scene/shot, we often refer to one specific continuous piece of animation in between camera cuts. In animation, however, we often use the term 'scene' and 'shot' interchangeably. Normally in live action filmmaking, the term ' shot' refers to the images between camera edits, while a scene is all the shots and dialogue that take place at a particular location for a continuous block of time. In 3D, though, working on one's is the standard. In 2D animation working on two's looks fine in most instances, and there are even cases where drawings can be held longer. Working on twos means holding each drawing for two frames, so one second of animation at 24 frames per second would only be 12 drawings, not 24. Working on one's would mean doing a new drawing over every single frame of the animation. Working on One's or Two's is a term used in hand drawn animation. It is a setting you can adjust in the animation software.Īnimation is usually done in 24 frames per second (FPS). The frame rate of an animation is the number of individual images (or frames) that are being displayed over the span of one second.
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The timeline is the part of the animation software that represents the animation's progress over time.ĭepending on the software, we might use the timeline to make changes to the timing of the animation, as well as the position of the elements. These terms will come up often, so let's take a few minutes to go over them: Timeline
Now that we covered the basic idea of what animation is, it's important to understand the vocabulary and specialized terms used in the animation and filmmaking industry. We built an entire course dedicated to understanding the basic principles of animation, so that you can cover your basics before jumping into animation.
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You don't even need to know how to draw well. You can start small and simple and slowly develop your skills and unique style. You don't need to be a Disney-grade animator to create really cool animations. The catch is that although anyone can start animating right now, the art of animation still takes time to master. Software's getting cheaper (or even free), and most modern computers can handle the more simple animation tasks (mostly 2D). It's easier to get into animation today than ever before. I'll go over what is animation, what it takes to make animated movies (2D or 3D), and even how to start looking for a job in the industry. I'll cover some of the basic concepts of animation, vocabulary, principles, software, hardware, books, courses as well as some of the options for people who want to get into the animation industry, but are overwhelmed or intimidated. In this massive guide I try to cover (almost) everything you might need to know about animation if you're trying to get into the animation industry. One of the most common questions I get (almost on a daily basis) is: “I want to get into animation.
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